Carnaval de mi barrio

donato4“Edgardo Donato y sus muchachos” – and this was the proper name of Donato’s orquesta tipica – was, indeed, a very atypical one. Not so highly regarded in Buenos Aires it simply did not fit into any rule or schema. No female singers in tango orquestas? Lita Morales all the way. D’Arienzo revolution of 1936? Donato anticipated it in 1933 with “El acomodo”, “Tierrita”, “Qué hacés, qué hacés!” etc. Singers duos in the mid-forties? Donato had a trio in 1939, and a backing vocal since 1933. Bandoneon is a soul of tango? Indeed, but how about a solo piano accordion in a tango orquesta? “El tango es un pensamiento triste que se baila”? Enrique Discepolo definitely did not mean Donato – for the whole life of his orquesta he recorded two… maybe tree sad tangos in total… and the lyrics of his most recognized tango “A media luz” is nothing more than an illustrated guide to the city’s bawdy places. The peak of the Golden Age? In 1942 Donato orquesta vanished from the recording studio for well over a year… when he came back it was a very different Donato…

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